Marshall Brown is Professor
of English and Adjunct Professor of Music and of Germanics at the University
of Washington. His books include The Shape of German Romanticism, Preromanticism,
Turning Points: Essays in the History of Cultural Expressions, and The
Gothic Text (forthcoming).
Caryl L. Clark teaches at the University of Toronto, where she is an Associate
Professor. Her publications, both musicological and interdisciplinary,
recconect interests in opera studies, the sociocultural contexts of music-making,
gender issues, and the politics of musical reception.
Jonathan Del Mar is a conductor and musicologist. His new Urtext edition
of the Beethoven symphonies, published by Bärenreiter, was completed
in 2000 and is being performed by orchestras worldwide.
Mark Katz is a member of the musicology faculty at the Peabody Conservatory
of Johns Hopkins University. His book, The Phonograph Effect, will be
published by the University of California Press in 2004.
Raymond Knapp teaches musicology at the University of California, Los
Angeles, specializing in symphonic traditions of the eighteenth and nineteenth
centuries. His book on Mahler's symphonic recycling of songs will
appear in spring 2003 (Wesleyan University Press), and he is preparing
a thematic history of the musical.
David B. Levy is Professor and Chair of the department of music at Wake
Forest University. A new edition of his monograph, Beethoven: The Ninth
Symphony, is in preparation by Yale University Press. His most recent
research is on notation and meaning in Beethoven's Great Fugue.
Sanna Pederson, Mavis C. Pitman Professor of Music at the University of
Oklahoma, specializes in German nineteenth-century music and culture and
is currently working on a book called Musical Romanticism and Cultural
Pessimism: The Impact of the Revolutions of 1848–49 on German Musical
Life. She has published articles relating Beethoven and German music to
nation building, historiography, masculinity, and anti-Romanticism.
Tilden Russell is Professor of Music at Southern Connecticut State University.
An authority on the minuet, his most recent article appeared in The Journal
of Musicology, and a monograph on the "Menuet de la Cour"
is forthcoming with Georg Olms Verlag. He is currently working on a translation
of the Rechtschaffener Tantzmeister, by Gottfried Taubert.
Thomas Sipe is the author of Beethoven: Eroica Symphony in the Cambridge
Handbook series. He is also a previous contributor to Beethoven Forum.
Ruth A. Solie is Professor
of Music at Smith College and a former member of the editorial board of
Petra Weber-Bockholdt, Professor of Musicology at Koblenz University,
is the editor of Beethoven's arrangements of British national songs
in the Neue Beethoven Gesamtausgabe (XI/1, 1999). She has published articles
on medieval music theory, Heinrich Schütz, Haydn, Mozart, and Beethoven.