Joanna Cobb Biermann is visiting assistant professor of musicology at
Indiana University. Affiliated with the Beethoven-Archiv in Bonn for a
number of years, she is the author of the catalogue of the first and early
editions of Beethoven's works in the collections of the Beethoven-Haus
and contributes to the Kinsky-Halm revision project. She will be editing
Beethoven's small piano pieces for the Neue Gesamtausgabe.
Tim Carter, formerly at the Royal Holloway and Bedford New College, University
of London, is David G. Frey Distinguished Professor of Music at the University
of North Carolina at Chapel Hill. He is the author of various books on
music in late Renaissance and early Baroque Italy, including Monteverdi's
Musical Theatre and the Cambridge Opera Handbook on Mozart's
Le nozze di Figaro. His monograph on Rogers and Hammerstein's
Oklahoma! is forthcoming from Yale University Press.
Scott DeVeaux is associate professor at the University of Virginia, where
he teaches courses in jazz, music theory, and twentieth-century music.
His book The Birth of Bebop (1997) won numerous awards, including
the AMS Kinkeldey Award.
Nicholas Marston is university reader in music theory and analysis at
Cambridge University and a Fellow of King's College. His book on
Schenker's unpublished Erläuterungsausgabe of Beethoven's
"Hammerklavier" Sonata will be published in 2007.
Seow-Chin Ong is associate professor of music history at the University
of Louisville. He is currently preparing a facsimile edition, with transcription
and commentary, of Beethoven's Landsberg 11 Sketchbook for the University
of Illinois Press.
Robin Wallace is associate professor of musicology at Baylor University.
He is the author of Beethoven's Critics: Aesthetic Dilemmas
and Resolutions during the Composer's Lifetime and coeditor
and translator for the series The Critical Reception of Beethoven's
Compositions by His German Contemporaries.